Παρασκευή, 9 Ιανουαρίου 2009

FREE GAZA

It's a tragedy that the Israelis - a people who must understand better than almost anybody the horrors of oppression - are now acting as oppressors. As the great Jewish writer Primo Levi once remarked "Everybody has their Jews, and for the Israelis it's the Palestinians". By creating a middle Eastern version of the Warsaw ghetto they are recapitulating their own history as though they've forgotten it. And by trying to paint an equivalence between the Palestinians - with their homemade rockets and stone-throwing teenagers - and themselves - with one of the most sophisticated military machines in the world - they sacrifice all credibility.

The Israelis are a gifted and resourceful people who fully deserve the right to live in peace, but who seem intent on squandering every chance to allow that to happen. It's difficult to avoid the conclusion that this conflict serves the political and economic purposes of Israel so well that they have every interest in maintaining it.

While there is fighting they can continue to build illegal settlements. While there is fighting they continue to receive huge quantities of military aid from the United States. And while there is fighting they can avoid looking candidly at themselves and the ruthlessness into which they are descending.

Gaza is now an experiment in provocation. Stuff one and a half million people into a tiny space, stifle their access to water, electricity, food and medical treatment, destroy their livelihoods, and humiliate them regularly...and, surprise, surprise - they turn hostile.

Now why would you want to make that experiment? Because the hostility you provoke is the whole point. Now 'under attack' you can cast yourself as the victim, and call out the helicopter gunships and the F16 attack fighters and the heavy tanks and the guided missiles, and destroy yet more of the pathetic remains of infrastructure that the Palestinian state still has left. And then you can point to it as a hopeless case, unfit to govern itself, a terrorist state, a state with which you couldn't possibly reach an accommodation. And then you can carry on with business as usual, quietly stealing their homeland.

Brian Eno.


ΚΑΤΙ ΑΚΟΜΑ για τον Eno :

The Microsoft Sound

In 1994 Microsoft corporation designers Mark Malamud and Erik Gavriluk approached Brian Eno to compose music for the Windows 95 project. The result – composed by Eno on an Apple MacIntosh computer – was the six-second start-up music-sound of the Windows 95 operating system, the The Microsoft Sound. In the San Francisco Chronicle he said: [15]

The idea came up at the time when I was completely bereft of ideas. I'd been working on my own music for a while, and was quite lost, actually, and I really appreciated someone coming along and saying, "Here's a specific problem — Solve it!" The thing from the agency said, "We want a piece of music that is inspiring, universal, blah-blah, da-da-da, optimistic, futuristic, sentimental, emotional", this whole list of adjectives, and then, at the bottom, it said: "and it must be 3¼ seconds long". I thought this was so funny, and an amazing thought, to actually try to make a little piece of music. It's like making a tiny little jewel. In fact, I made eighty-four pieces. I got completely into this world of tiny, tiny, little pieces of music. I was so sensitive to microseconds, at the end of this, that it really broke a logjam in my own work. Then, when I'd finished that and I went back to working with pieces that were, like, three minutes long, it seemed like oceans of time.

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